A clever courtroom premise, committed performances and properly cruel slapstick turn Wile E. Coyote’s endless humiliation into a satisfying underdog comedy.
Zach Cregger’s Resident Evil captures the games’ vulnerability through wintry isolation, improvised action and an inspired anti-action hero.
Na Hong-jin’s Hope turns a rural creature mystery into sprawling science-fiction action. Its daylight dread and physical staging impress, but the long runtime and uneven effects may divide viewers.
John Carpenter’s The Thing remains a brutally effective fusion of paranoia, body horror and Antarctic isolation, with ambiguity that makes every answer feel unsafe.
The Tomatometer measures the share of positive critic reviews, not a movie’s average grade. Here is how to read it without mistaking consensus for quality.
Stephen Sommers’s The Mummy remains a wonderfully rewatchable adventure because its horror, comedy and romance all strengthen the same character-led story.
A selective, unranked watchlist of 1990s action movies that still excel through clear set pieces, practical spectacle, strong characters and smart escalation.
A spoiler-light assessment of Echo’s premise, MCU connections, five-episode format, critical reception and unusual release strategy.
Kevin Hart leads an airborne gold heist with a capable cast, but Lift trades memorable characters and suspense for weightless digital spectacle.
J. A. Bayona turns the Flight 571 disaster into a harrowing ensemble drama about survival, grief and collective responsibility without exploiting its darkest details.
Monster High 2 has a worthy message and plenty of color, but its crowded story leaves its characters, conflicts and musical fantasy feeling frustratingly shallow.
David Slade’s Dark Harvest delivers a memorable Halloween monster and bloody cornfield action, but its characters and mythology needed a richer harvest.
My Fault is an enjoyably excessive YA romance whose magnetic leads nearly overcome its abrupt tonal shifts, implausible drama and overheated dialogue.
Netflix’s Polish treasure-hunt adventure has a lively opening and an intriguing mystery, but muddled characters and weak escalation derail the journey.
Peter Farrelly's broad comedy has a promising farce premise and a committed John Cena performance, but repetitive jokes keep it from taking off.